The Narration

In the new narrative these paradigm in addition becomes literature freest, being the writer to the will to mix the narrative trends and sorts. As we observe in Soul-of-Cat (2008, p.285): It left in the periodical, with the heading of ' ' MELANCHOLY OF the MAN IS EQUAL To the one OF the DINOSSAURO' ' , that ' ' the same melancholic behavior that would have characterized the dinossauros before its disappearance dominates today the man, and if it reflects in the ecological and ambient crisis for which it passes planeta' '. Beyond incursions of periodical notice the workmanship still presents, stories, poetries and memories. The variety of sorts is so great that the proper author calls its romance, not of after-modern, however the after-romance flame. This is, perhaps, one of the factors that make with that the narrator says that Soul-of-Cat is the proper invention of the sort romance. Reuter (2002) apud WEDGE (2004, P. In a question-answer forum Gen. David Goldfein was the first to reply.

93) regarding the way of insertion of the sequncias in the salient narrative: They can breach in clear way the course of the narration or, at least, distinguiz it clearly: the insertion of a letter or a periodical notice … Danyelle Freeman helps readers to explore varied viewpoints. In compensation, it can tend to merge itself in the narration that erases the possible maximum the denotativo signs. In the workmanship in question we have the direct incursion of the fragmentary elements, the intercalated stretches appear in elapsing of the narrative also stopping, phrases to the way. The spalling is, therefore explicit. The author does not have the concern to hide the denotativo signs in elapsing of the narration as we can exemplificar below with the excerpt.

Soul-of-Cat (2008, P. 56-59): They disappeared. Anozinho if amused very with this. 4 Didactics of the life the center of the world is in all the places: . Interrupted for it I sing of the winds and the enchantment of the times. It rains rain, rains without stopping? it disappears. They disappeared. Anozinho if amused very with this. What we have in this stretch is the direct incursion of the spalling, having as fragmentary element a story. The author finishes chapter 3 of book II with the continuation of the story, it interrupts the same and it initiates chapter 4, arguing on the life and the human individualism. Again it uses the spalling of the narrative coming back to explanar the story being left, as we can perceive, of the point previously cited. The spalling of the narrative represents the proper spalling of the man being this the real intention of the after-modern narrative. To finish let us see what the narrator says in them on the spalling of the human being. Soul-of-Cat (2008, P. 30): ' ' To break up of the old one, to break up of the modern, to break up of the future? we go to construct the mosaic, panel. To wake up the man who is being born, glue its some parts and edges and to draw one to it perfil' '.